Plots? Your choice of genre can sometimes define the complexity. I would never try a mystery or thriller they seem to require an attention to detail and structure which are beyond my capabilities. Fantasy seems to beg a complexity of its own, mirroring the apparent political interactions of our own previous historical eras. Maybe it was my own innate impatience coupled with an intolerance of the machinations seen in some series that had me veering off in other directions. Historically there were no perfect plans, everyone came unstuck at some stage and not by some dogged hero acting alone. In fact historically Humanity has been prone to chaotic dealings, lurching from crisis through aggression, complacency or error. That seemed a better backdrop for me, along with a few bits of grit in the machinery (in my case the Three central characters, who in turn would be shoved off course by events not directly involving them).
Thus the plots as such were fairly basic, really. Three young women pitchforked into a set of circumstances, the ramifications of which led to another, which in turn caused a big ruckus across local realms of Time and Space. They bonded in differing ways and prevailed. They had their varying times on stage, and matters were left with them looking to their respective futures undiminished and confident. ‘And that took three volumes of 650,000 words????‘ you might well ask. Actually yes, because the challenges, adventures and developing they experienced were taking places against various backdrops.
There never was, nor intended to be an epic linear storyline. Arketre, Karlyn and Trelli were never going to save The Empire, defeat the entire cast of villains, make the whole world a better place or one of them rule an entire nation. They were always frontline sloggers, albeit rising through the ranks, they didn’t even achieve imperial-wide fame or rushed from one crisis to another because only they could do the job. Their tales were all about adapting, surviving and growing closer in varying ways. And of course ending these episodes well.
Volume 1. ‘Patchwork’.
This was about the various bondings of the three main characters, how their paths crossed with their first challenge and the ramifications thereupon, leaving the ground open to Volume 2. As with most Fantasy works things are not just left with one book, therefore there were plenty of loose ends to carry into Volume 2. The villains were fairly weak but that was a deliberate satire on the hordes grinning, monologuing perfect-plot-until-the-last-chapter characters that stalk books, comics, tv shows and films and quite frankly are boringly predictable. The main threats coming more from accidents, forces of Nature, incompetence of various folk and the command structure of Arketre’s own LifeGuard. The survival and triumph of the trio of women was thus one over Circumstances, The Unforeseen and their own fears, rages or misjudgements. The romance just grew out of the narrative and was actually the last piece to fit into the book. And the ending was more of a pause for the three to catch their breath and evaluate just how far their had come. Why not? What’s wrong with having three folk journey through a mire of confusion and come out the other end intact, and growing. You might even call it a ‘Road Trip’ book.
Volume 2 ‘Skirmishers’
This started where ‘Patchwork’ left off. Arketre and Karlyn in one place, Trelli in another and other folk propelling them into situations. This time there were not so much ‘villains’ but more emphasis on groups with their own agendas, and the complex, sometimes unintended interactions of these. This created a turbulent environment which the three women were obliged to navigate, embrace, survive in and sometimes influence. Each had their own new set of challenges. Karlyn, her heritage, Arketre the conflicting emotions of war and Trelli keeping the potential of her Ethereal abilities under her control and not vice-versa. Another theme I brought in was an age old-one in Military History, a seemingly superior force coming unstuck because the defenders were adaptable and motivated, while the invaders were faced with a difficult environment and the front-line troops were uncertain of why they were there. The demonic Zerstorung were a constant but as a malevolent opportunistic force. However the theme was ‘No one is ever has complete control of a situation. There are no perfect schemes. There are no constantly overwhelming forces. All is variable‘ . In the final pages up pops a twist, a piece of satire on the double standards men employ when dealing with women and how Arketre in particular takes a moral advantage of this.
This coalesced out of three ideas. Firstly the fearful battles around Stalingrad in 1942/43 the allegory would be Arketre’s . Secondly Karlyn’s heritage and reason for her being ‘here’. Thirdly Trelli’s involvement in the politics of the Silc family of Elinid, which stemmed from her concern over Wigran, arguably the one who gave cause to the whole companionship. My interest in the military and political aspects of various wars played heavily here, since the narrative moved around several locations and involved a number of groupings. Overall the picture was meant to look chaotic and at times the decisions quite incomprehensible; a reading of any history of any conflict will show this to be true reality. Since most of the narrative was seen from each woman’s standpoint it was difficult not to make them out as omnipotent saviours or as ‘wise’, while balancing out their strengths and virtues; thus they were never truly in charge of any big picture, constantly reacting and often getting the better of folk but equally being shunted around until eventually they are able to find their own stable, respected places.
The journey was long, thanks to the characters bother major and supporting it was completed on high notes and the deserving folk intact. Of course there was no grand finale in which everything was wrapped up; there were loose ends, for there may be other tales.